Carl Larsson
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Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Jean Baptiste Simeon Chardin
The House of Cards
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ID: 43250

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Jean Baptiste Simeon Chardin The House of Cards


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Jean Baptiste Simeon Chardin

1699-1779 French Jean Baptiste Simeon Chardin Locations Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicholas Coypel, and in 1724 became a master in the Acad??mie de Saint-Luc. Upon presentation of The Ray in 1728, he was admitted to the Acad??mie Royale de Peinture et de Sculpture. The following year he ceded his position in the Acad??mie de Saint-Luc. In November of 1731 his son Jean-Pierre was baptized, and a daughter, Marguerite-Agn??s, was baptized in 1733. In 1735 his wife Marguerite died, and within two years Marguerite-Agn??s had died as well. The Ray, 1728, Mus??e du Louvre, Paris.Beginning in 1737 Chardin exhibited regularly at the Salon. He would prove to be a dedicated academician, regularly attending meetings for fifty years, and functioning successively as counsellor, treasurer, and secretary, overseeing in 1761 the installation of Salon exhibitions. In 1744 he entered his second marriage, this time to Françoise-Marguerite Pouget. The following year a daughter, Ang??lique-Françoise, was born, but she died in 1746. In 1752 Chardin was granted a pension of 500 livres by Louis XV. At the Salon of 1759 he exhibited nine paintings; it was the first Salon to be commented upon by Denis Diderot, who would prove to be a great admirer and public champion of Chardin work. Beginning in 1761, his responsibilities on behalf of the Salon, simultaneously arranging the exhibitions and acting as treasurer, resulted in a diminution of productivity in painting, and the showing of replicas of previous works. In 1763 his services to the Acad??mie were acknowledged with an extra 200 livres in pension. In 1765 he was unanimously elected associate member of the Acad??mie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor.[8] By 1770 Chardin was the Premiere peintre du roi, and his pension of 1,400 livres was the highest in the Academy. In 1772 Chardin son, also a painter, drowned in Venice, a probable suicide. The artist last known oil painting was dated 1776; his final Salon participation was in 1779, and featured several pastel studies. Gravely ill by November of that year, he died in Paris on December 6, at the age of 80.  Related Paintings of Jean Baptiste Simeon Chardin :. | Orange red partridge and rabbit | With wild strawberry basket | The Skate | Cat skate oyster water and bread | Saying Grace |
Related Artists:
DELEN, Dirck van
Dutch painter (1604/5-1671) Dutch painter. When he married in 1625 he was a citizen of Middelburg, but he settled in nearby Arnemuiden, where he became master of the toll-house. From 1628 until his death he was almost continually a member of the town council, mostly as burgomaster. He was widowed three times and had at least one son, though no children survived him.
Jean Baptiste Isabey
French Painter, 1767-1855, Painter, draughtsman and printmaker. He trained in Nancy with Jean Girardet (d 1778) and then with Jean-Baptiste-Charles Claudot (1733-1805), master of the miniaturist Jean-Baptiste Augustin. In 1785 he went to Paris, where he began by painting snuff-boxes. In 1786 he received lessons from the painter Francois Dumont, who had also studied with Girardet in Nancy, before entering the studio of David. Although he had received aristocratic commissions before the Revolution to paint portrait miniatures of the Duc d'Angouleme and Duc de Berry and through them of Marie-Antoinette, he did not suffer in the political upheavals that followed. He executed 228 portraits of deputies for a work on the Assemblee Legislative and from 1793 exhibited miniatures and drawings in the Salon. Success came to him in 1794 with two drawings in the 'maniere noire', The Departure and The Return. This type of drawing, using pencil and the stump to simulate engraving, was very fashionable in the last years of the 18th century and reached its peak with Isabey's The Boat
BEYEREN, Abraham van
Dutch Baroque Era Painter, ca.1620-1690 Dutch painter. He painted seascapes as well as fruit, flower, fish, game and banquet still-lifes. He almost always signed these works with his monogram AVB, but he dated only a few. This, together with the fact that he painted diverse subjects simultaneously and his style changed little, makes it difficult to establish a chronology. He became a master in The Hague in 1640 and was related by marriage to the fish painter Pieter de Putter (before 1600-59). Van Beyeren lived in Delft from 1657 to 1661 and was again in The Hague between 1663 and 1669.






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